Recent Credits

Additional Editor for Series 1, Episodes 2+3 I was thrilled to work with the fabulous Tim Porter again and help bring to life this amazing Game of Thrones prequel.

Archie, rich and privileged, bonds with bright scholarship student Natalie. Until a fateful night when trust is shattered. How will their elite school react when Natalie makes a serious accusation?

A fantastic project with brillaint up and coming young actors I had an amazing experience editing with director Nadira Amrani 

An exciting ten part Sci-Fi  for Netflix where I had the priviledge of editing for two exciting new directors, Drew Casson and Nour Wazzi. 

The Last Bus tells the story of a group of school students who travel to a tech expo where a millionaire entrepreneur is showcasing a new class of AI driven orbs capable of repairing the earth's environment. Needless to say things do not quite go to plan and the kids find themselves on a dangerous and exciting road trip in search of the truth behind apparently cataclysmic events...

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After the success of my episodes the previous year I was asked back as Series Editor for Series 12  taking on eight of the ten episodes. A tough challenge but one which I will forever regard as a defining moment in my career. The icing on the cake of this gruelling but exciting year was to win the 2020 BAFTA Cymru Best Editing Award for "Ascension of the Cybermen"

Directors: Jamie Stone. Lee Haven-Jones. Nida Manzoor.

Stephen Richards has built a cosmetics empire, but when he suffers a stroke, his family's secrets and lies rise to the surface and the future of his multi-million-pound company is at stake.

Created by Abby Ajayi it was my pleasure to edit Abby's directorial debut, Episode 4.

Telling the story of World War Two through the eyes of ordinary people whose lives have been thrown into chaos, the six new episodes are written by series creator Peter Bowker, Rachel Bennette and Matt Jones, and made by Mammoth Screen for the BBC and Masterpiece.

World On Fire series two will take viewers from the streets of Britain into occupied France, Nazi Germany, and to the sands of the North African desert, where British troops struggle alongside Indian Sappers and Australian Diggers to adapt to a very different kind of combat.

Teaming up with director Drew Casson again I had the pleasure of editing the series opener.

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Directed by Steve Hughes it was my pleasure to be involved in such a truthful piece of televsion. Telling the stories behind the first moments of the Corona Virus pandemic hitting hospitals and what it meant for both staff and patients. Once aired, Twitter exploded with compliments of the real dipiction we presented. Reviewed by many as a stand out episode for Casualty in its 35 year legacy. 

Series 11 of Doctor Who brought with it a new showrunner, Chris Chibnall and the first female Doctor as well as my first credit as Editor on the show. Director Mark Tonderai took on two of the series' biggest episodes with myself as editor. Episode 2  "The Ghost Monument" is pivotal in the Chris Chibnall era being the first mention of the Timeless Child. Episode 3 "Rosa" became a talking point on twitter after airing and was widely regarded as the standout episode of this series.